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Telling our stories 

CAMToday has best of yesterday, tomorrow 

(Feb. 9, 2009) An electronic instrument called a theremin was featured at the CAM Creative Slam last week in the King Center.  The Slam was part of the college’s 10th anniversary celebration, showcasing faculty and student artwork in an evening of diverse and far reaching performances.  The show uncovered creative processes, revealed creative practice and expanded understanding of inspirations.  The event featured an eclectic range of engaging live and taped performances, capturing distinct talents of CAM faculty and students.

Back in the 1920’s Leon Theremin came up with an idea for an instrument where you move one hand closer or farther away and it would to affect the pitch, and then another hand would affect the volume.  Assistant Professor Bryan Leister created a theremin that uses the electrical signal and turns that into midi data.  He feeds that as if it’s a midi instrument into the computer.  Then through the computer he can have the theremin affect the sound and/or video. 

Many in the audience got their first look at a theremin was during an interactive performance featuring Bryan Leister performing  Proximity Politico.   The sound generated was “speech” based on how close he was to the theremin; in this case, he programmed it to be more liberal on the left and more conservative on the right.  During the performance, he judged the audience reaction to have the theremin make more conservative or liberal comments.

The theremin was also showcased in the finale (“Stage Magic”) when students Grant Langdon and Felicia Marti ‘played’ while dancers interacted via the video component to create unique on-screen visuals.  The dancers intermingled with the audience, too, inviting many to come on stage and try their hand at movement and ultimately the theremin.  The student dancers who participated in this piece included Maggie Blumer, Casandra Corrales, Mark Laydon, Amber Moffet and Alexa Perez

Also featured during the performance were:

    • Project sequences from the Digital Animation Center’s student production, Bamboo. 
    • Scenes from Good Grief – the 7-episode dramedy series that just finished its premiere run on Rocky
    • Mountain PBS – also entertained the audience.  It was executive produced, written and directed by Craig Volk.
    • Views of one of the college’s iron pours preceded faculty artist statements surrounding “Art is.” The quotes were read by students, including statements from the Artistic Director for the performance, Laura Cuetara read by Amber Moffet, and Assistant professor, Michelle Carpenter, read by Tayla Ealom.  (Hear their quotes by clicking their names.)
    • Melissa Furness shared video footage from the inspiration for her Bath paintings that she has created, featuring Hungarian baths.  The footage was interspersed with images of the paintings.
    • Pete Ellingson improvised piano music while some of Hans Rosenwinkel’s National Geographic video footage was shown on screen.  Watch here to see the music change as the landscapes transform.  Hans also shared some of his National Geographic video work from his piece on pine beetles.
    • The audience got a sneak peek at David Liban’s documentary “Mortal Lessons.”  He introduced the segment noting that his hope is that audiences will see it as “uplifting and hopeful” and that audiences will see that they can “benefit from talking about death.”
    • A New Orleans style funeral march from Bill Clark and the Claimjumpers along with a student ensemble of dancers also created a festive atmosphere.

‘A groovy faculty first’ at CAM

(Feb. 9. 2009) Wrapping up the two day College of Arts and Media’s CAMToday 10th Anniversary Celebration, Sing’em a song, & Tell’em a Story, the Faculty Songwriters Playhouse featured faculty members performing original work in the King Center Recital Hall on Feb. 5. “It’s a groovy faculty first by people who get up in the morning and ask themselves if they have something to say,” said Judith Coe to introduce the night.

The first performer Pamela Weng shared her personal story of December’s Child, a song inspired by the birth of her second niece and Weng’s mother who said shortly before she passed away, “I want to go home.” Be the Peace was dedicated to the humpback whale which teamed her vocals with recorded whale sounds.

“I was more interested in songwriting before jazz or playing the guitar,” said Paul Musso, reminiscing about a tape recorder his mother gave him when he was eight. Your Subtle Ways is but one creation from the rediscovered days of tape recording.

Pete Buchwald took on an alternative persona of a child with big dreams in the song Growing Up where three students from the audience participated with instruments. Run Away was dedicated to his wife, “standing in the doorway all aglow,” and maintaining their relationship.

Doug Krous explored the uncharted territories of the human condition and the safe haven of his wife in I Don’t Need to Know. Velvet Chains of a Woman in Love was a creative approach to being a bachelor again and being caught falling in love.

Inspired by Maine’s rivers and coastline, Sean McGowan created impressionistic rhythms of “wonder and curiosity,” on his guitar for August and River.

Coe shared Will You Grow Up to be a Fireman, a lullaby written for her first grandchild while she lived in Ireland, and the Irish Song of the Wandering Aengus.

“Whoa, I’ve never seen scissors in that way before,” Owne Kortz joked about writing Scissors.  We’re all the Same Inside was about finding empathy and possibly sympathy in and for other people.

Chris Daniels noted the night needed a “done somebody wrong song,” and fulfilled that need with Therapy. “The songs are in the guitar when you pick it up,” Daniels sang in I Still Think of You.

Photos: Top, Casandra Corrales, Maggie Blumer, Mark Laydon, Alexa Perez and Amber Moffet dance to the rhythm of the theramin, played below by Felicia Marti.

 

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